Eugene Rubin, Paris (sale, London, Sotheby’s, Twentieth Century Russian Paintings, Drawings and Watercolours, 1900-1930, 29th March 1973, lot 11)
B. Gerald Cantor, Beverly Hills, California (acquired at the above sale) by descent to the previous owner
Private collection, New York
St. Petersburg, Union of Youth I, March 1910, no.71
Riga, Union of Youth II, June 1910, no. 80
St. Petersburg, The Donkey’s Tail, 1912 (Study for a Portrait of V.E.T. [Vladimir Evgrafovich Tatlin]), no.99 (Gordon vol 1, p.564)
(?) St. Petersburg, Union of Youth V, 1912-1913, no. 121
Paris, Musée d’Art Moderne de la Ville de Paris,Gontcharova-Larionov, 1963, no. 100, (reproduced in the catalogue)
Stockholm, Moderna Museet, Vladimir Tatlin, 1968
Paris, Galerie de Paris, Retrospective Larionov, June-September 1969, no. 29 (reproduced in the catalogue)
Ithaca, Cornell University, Andrew Dickson White Museum of Art and New York, Brooklyn Museum, Russian Art of the Revolution, 1971, no. 1
New York, Leonard Hutton Galleries, Russian Avant-Garde 1908-1922, 1971, no. 50
Des Moines, Des Moines Art Center, 1974-1976, extended loan
New York, Wildenstein Galleries, Modern Portraits: The Self and Others, 1976 (illustrated in catalogue, p. 86)
Los Angeles County Museum of Art and Hirshhorn Museum and Sculpture Garden, The Avant-Garde in Russia, 1910-1930: New Perspectives, 1980-1981, no. 106 (illustrated in catalogue, p.178)
Los Angeles County Museum of Art, 1986-1989, extended loan
Eli Eganbyuri (Ilya Zdanevich) Natalia Gontcharova, Mikhail Larionov, Moscow July 1913, pl. XX
H. Perruchot, L’art moderne, Paris, 1963, p.163
Waldemar George, Larionov, Paris, 1966, p.121, reproduced
John Milner, Vladimir Tatlin and The Russian Avant-Garde, New Haven and London, 1983, no. 2, p.5, reproduced
